I have now finished my project and here is my finished piece.
overall I am happy with how it has turned out. I had to do a load of drawing and I now feel like I have given myself
they both come from the fact that I have been drawing out a frame on everypage to give me the 720p aspect ratio.
the first is that as I trace the frame though the paper onto the next page I can not do it exactly. this results in the possition of the frame slipping over time. so that after a few seconds the frame is in the wrong place. To stop this I being an issue I have started redrawing the frame after it gets really bad and written FR, for Frame Reset, in the corner. This will allow me to see where I have started again on the computer and only sequence the pictures up to the right point. then on after effects I can animated them to turn over time resulting in the images being the correct orientation when I edit.
another problem I have come accross is that when I started drawing the frames I was doing that at slightly the wrong size. it is too late to do anything about this now. what I can do is once I have scanned all my images and put them into after effects is increase the scale of the images and then position them so that you can't see the edges of the frame. this is not such a bad problem as there is no key detail that happend at the very bottom or top in this animation because of the broadcast safe regions.
I have also been trying to work out the walk cyle of a leopard and have found a very useful website, found here, which details the basics of the 2 legged walk cycle and how to draw them. Using that and the drawn images of 3 parts of a leopard walk cycle below I have been able to draw out the walk cycle in my sketch book.
note:
these videos are wrong leopards don't walk like that there legs are out of sync e.g when the front left leg go forward the back left leg goes backwards.
while I am trying to make the animation appear handdrawn on flat paper I want the audience to get a sense of depth and an ability to reach inside the frame past the page which the drawing is on.
http://www.backdropsfantastic.com/backdrop_images/300's/OA-008-African-Savannah-7.jpg (this image wont embed)
the feadback I got from the pitch was that the soundtrack was not working as the begining of it sounds slightly as if it is irish and you dont get the african connection until 1/2 way though the music. they did like the song however so I should just choose a diffrent section of the piece.
they also thought that I should have the tree on the savanah in just one the scenes so as to aviode confusion that the scenes where the same location and so that the tree its self is more intresting.
I was advised that this is going to take a lot of work to finish & that I should be working at a frame rate of about 8fps as that would give me a nice balance between smooth motion and less drawing to do.
I did receve some negative critisium for not creating full quality mockups for the animation. however I think that my final art style is going to be very similar to my story boards which I produced so hopefully this should not matter when its finished. though if I were to be giving a pitch to a real client I need to make sure that I do everything possiable to help them visualise the final outcome.
- Principle
- Marketing communications for alcoholic drinks should not be targeted at people under 18 and should not imply, condone or encourage immoderate, irresponsible or anti-social drinking.
The spirit as well as the letter of the rules applies.
Definition- The rules in this section apply to marketing communications for alcoholic drinks and marketing communications that feature or refer to alcoholic drinks. Alcoholic drinks are defined as drinks containing at least 0.5% alcohol; for the purposes of this Code low-alcohol drinks are defined as
drinks containing between 0.5% and 1.2% alcohol.
Where stated, exceptions are made for low-alcohol drinks. But, if a marketing communication for a low-alcohol drink could be considered to promote a stronger alcoholic drink or if the drink’s low-alcohol content is not stated clearly in the marketing communications, all the rules in this section apply.
If a soft drink is promoted as a mixer, the rules in this section apply in full.These rules are not intended to inhibit responsible marketing communications that are intended to counter problem drinking or tell consumers about alcohol-related health or safety themes. Those marketing communications should not be likely to promote an alcohol product or brand.RulesMarketing communications must be socially responsible and must contain nothing that is likely to lead people to adopt styles of drinking that are unwise. For example, they should not encourage excessive drinking. Care should be taken not to exploit the young, the immature or those who are mentally or socially vulnerable.18.2Marketing communications must not claim or imply that alcohol can enhance confidence or popularity.18.3Marketing communications must not imply that drinking alcohol is a key component of the success of a personal relationship or social event. The consumption of alcohol may be portrayed as sociable or thirst-quenching.18.4Drinking alcohol must not be portrayed as a challenge. Marketing communications must neither show, imply, encourage or refer to aggression or unruly, irresponsible or anti-social behaviour nor link alcohol with brave, tough or daring people or behaviour.18.5Marketing communications must neither link alcohol with seduction, sexual activity or sexual success nor imply that alcohol can enhance attractiveness.18.6Marketing communications must not imply that alcohol might be indispensable or take priority in life or that drinking alcohol can overcome boredom, loneliness or other problems.18.7Marketing communications must not imply that alcohol has therapeutic qualities. Alcohol must not be portrayed as capable of changing mood, physical condition or behaviour or as a source of nourishment. Marketing communications must not imply that alcohol can enhance mental or physical capabilities; for example, by contributing to professional or sporting achievements.18.8Marketing communications must not link alcohol to illicit drugs.18.9Marketing communications may give factual information about the alcoholic strength of a drink. They may also make a factual alcohol strength comparison with another product, but only when the comparison is with a higher strength product of a similar beverage.Marketing communications must not imply that a drink may be preferred because of its alcohol content or intoxicating effect. There is an exception for low-alcohol drinks, which may be presented as preferable because of their low alcoholic strength.In the case of a drink with relatively high alcoholic strength in relation to its category, the factual information should not be given undue emphasis.18.10Marketing communications that include a sales promotion must not imply, condone or encourage excessive consumption of alcohol.18.11Marketing communications must not feature alcohol being handled or served irresponsibly.18.12Marketing communications must not link alcohol with activities or locations in which drinking would be unsafe or unwise.Marketing communications must not link alcohol with the use of potentially dangerous machinery or driving. Marketing communications may feature sporting and other physical activities (subject to other rules in this section; for example, appeal to under-18s or link with daring or aggression) but must not imply that those activities have been undertaken after the consumption of alcohol.18.13Only in exceptional circumstances may marketing communications feature alcohol being drunk by anyone in their working environment.18.14Marketing communications must not be likely to appeal particularly to people under 18, especially by reflecting or being associated with youth culture. They should not feature or portray real or fictitious characters who are likely to appeal particularly to people under 18 in a way that might encourage the young to drink. People shown drinking or playing a significant role (see rule 18.16) should not be shown behaving in an adolescent or juvenile manner.18.15Marketing communications must not be directed at people under 18 through the selection of media or the context in which they appear. No medium should be used to advertise alcoholic drinks if more than 25% of its audience is under 18 years of age.18.16People shown drinking or playing a significant role must neither be nor seem to be under 25. People under 25 may be shown in marketing communications, for example, in the context of family celebrations, but must be obviously not drinking.18.17Marketing communications may give factual information about product contents, including comparisons, but must not make any health, fitness or weight-control claims.The only permitted nutrition claims are “low-alcohol”, “reduced alcohol” and “reduced energy” and any claim likely to have the same meaning for the consumer. - another think which I have noticed on British Alcohol adverts are the worlds please drink/enjoy responsible and a link to drinkaware.co.uk. I can not find any the place where it advises that you place the information on your adverts so i will email the company to find out exactly what they suggest.
Whose business is it if I dance, I am proud, take such pride in you Africa, we live through music, yes we live through song, wherever, however, Africans live through song, so whose business is it, whose business is it if I dance.
soon the truth becomes apparent
turning back would be out of question
behold ahead lies the battle point
Limpopo
To tell you is to taint you
with all due respects to the parents
those who have lost their children
to lands beyond and afar
Only when you visit the Limpopo
only then can you understand
why your sons and daughters chose that path
Only then can you clearly decipher
the world in the manner
your children rightfully interpreted
It is indeed not just a conventional frequently told myth
The Limpopo has robbed the world
of the thousands of the future leaders
sons and daughters have perished
lured by the treacherous symphonic waters
of this barbaric river
Limpopo smells blood
Limpopo smells victory
Limpopo a two faced conniving brute
Were you not supposed to be the epitome
of that life that we so deeply yearned for?
Limpopo you have ruptured the veins
of hope entrenched in my utopian world
Undeterred exhibiting fearful braggadocio
Limpopo glides like a serpent
squaring up and ready to devour
an unsuspecting karoo lamb.
I thought it will not come
As all the hope was gone
But God proofed me wrong
A place with great light of Life
A place of joy and Glory
Which rubs the word love inside me more than sorry
As is the one being chased by it, no attention to him
No, more crying of tears from the eyes of the afflicted me
As it just came with the miraculous surprise
With the joy of tears just fearing the soul of my heart
Which made me feel more human than ever before
Regenerating the great ambitions of my dreams
The one’s who thought they were dead
Now they had resurrected from the unforeseen death
Which turned into the everlasting living unstoppable dreams
Brought confusion towards the wicked ones
Right down from the deepest of the blue ocean
Which never let it go
The place full of life
The place full of peace
The place without storms
But booms with wonders
Which are incredible to me
I never thought it was me again
As I was just a born again
Under my Lord’s shade
the Hadza people are a small group hunter gathers from northern central Tanzania they seem like a very intresting group of people but i am pretty certain that they dont gather marula fruit for Amarula. they do however gather the fruit and seeds as described by Frank W. Marlowe and Julia C. Berbesque,
To be able to show the relationship between foods across all four regions of Hadzaland, we have ignored one important food, the marula fruit, which is available only in Dunduiya, the region to the West of Lake Eyasi (with the exception of a tiny bit of Mangola). In Dun- duiya, the baboons eat the fruit before it even gets fully ripe to preempt the Hadza. They then pass the large seeds on top of large rocks where they sleep. The Hadza go and collect these seeds after they have dried and then pound them open with hammerstones.
The Marula (Sclerocarya birrea) (Greek σκληρός skleros hard, καρυά karya walnut in reference to the stone inside the fleshy drupe) is a medium-sized dioecious tree, indigenous to the miombo woodlands of Southern Africa and the Sudano-Sahelian range of West Africa. The tree is a single stemmed tree with a wide spreading crown. It is characterised by a grey mottled bark. The tree grows up to 18m tall mostly in low altitudes and open woodlands. The fruits are used in the liqueur Amarula. The distribution of this species throughout Africa has followed the Bantuin their migrations, as it has been an important item in their diet since time immemorial.
the wikipedia page for Miombo Woodland shows that they are located in the following 4 major places
- Angolan Miombo woodlands (Angola)
- Central Zambezian Miombo woodlands (Angola, Burundi, Democratic Republic of the Congo, Malawi, Tanzania, Zambia)
- Eastern Miombo woodlands (Mozambique, Tanzania)
- Southern Miombo woodlands (Malawi, Mozambique, southern Zambia, Zimbabwe)